Her unlikely leading man is Owen, played by none other than Jason Mewes, star of pretty much every Kevin Smith film going (incidentally, Smith has a cameo role in this film as a Owen's friend). When the two meet in LA, Owen instantly dismisses Lisa as a girl solely interested in material things and high society, but he soon finds out that you shouldn't always trust first impressions.

We may laugh at Paris Hilton trying to pass herself off as an actress, but bear in mind, she's had a fair amount of cinematic roles ranging from romantic comedy (Bottoms Up), slapstick (Hottie and the Nottie), horror (House of Wax) and independent films (Repo! The Genetic Opera).

Which lead us to think, what gaps are there in her acting résumé?

An Achingly Cool Fantasy Film

Surprisingly, Guillermo Del Toro hasn't snapped her up to star in The Hobbit, though we imagine Paris would refuse to go through the make up process that transforms you into a dwarf or a wood elf anyway.

A Fun for All the Family Animation

Now studios have really missed a trick here, Paris has her own doll, so it's surprising that some badly created CG feature hasn't been created as a tie in. In all fairness though, would anyone force their child to watch that?! Surely a voice cameo is on the cards in the future though.

The Summer Action Blockbuster

As a media icon, Paris always wants to associate herself with what's hot. Maybe she can impress Christopher Nolan into giving her a part? Rumours suggest that the next Batman film will see Catwoman arrive on the scene, and we can only imagine that Christian Bale has been dying to work with her.

The Intense Thriller

Here Paris can draw on her own experience of having been banged up for drunk driving. With a partly biographical storyline, it's the fight for a wealthy heiress' freedom, that results in her  being incarcerated for 48 hours, and then forced to swan around a luxury mansion for forty days. It will be nail-biting!

Here's a look at some of Hollywood's previous offerings from inside the minds of the insane and the walls of asylums.

Shock Corridor, (1963)

Johnny Barrett (Peter Breck) is an ambitious journalist determined to gain literary recognition and thinks that the quickest way to succeed is by posing as a mental patient to uncover a mysterious murder. As he discovers more and more, Johnny is slowly driven insane with hallucinations and horrifying dreams. Finishing his book does eventually secure Johnny's literary reputation, but only at the price of his sanity. While this movie doesn't give a great reputation to asylums (no-one ever seems to get better, and a sane man is driven insane on his really very short stay), this black and white mystery is the sum of all that we love about asylum movies.

One Flew Over the Cuckoo's Nest, (1975)

As only the second film to ever win all five major Academy Awards, One Flew Over the Cuckoo's Nest is a classic portrayal of crazy-living. In a ploy to avoid the hard labour he would undertake serving a standard prison sentence, Randle McMurphy (Jack Nicholson), gets himself transferred to the care of Nurse Ratched undertaking what he assumes will be a pleasant stay in a mental institution. However, while under the Nurse's tyrannical control, McMurphy make friends with his fellow patients and starts his quest to liberate their minds, but at what cost?

The Silence of the Lambs, (1991)

Following in the footsteps of One Flew Over the Cuckoo's Nest, The Silence of the Lambs was the third film to ever win all five major Academy awards, proving that it pays to set your movie in a mental institution! Hannibal Lecter, played by the urbane Anthony Hopkins, is an intellectual psychiatrist-turned-cannibal recently entered into the Baltimore State Hospital for the criminally insane. Lecter's knowledge and intellectual ability enables him to run rings around the psychiatrists enlisted for his medical progress, and makes him one of the most terrifying man-monsters of the silver screen to date.

Don Juan De Marco, (1994)

Breaking the mould of other psych-ward, crazy person films Don Juan De Marco stands out for its bold and upbeat depiction of mental illness, with Johnny Depp providing a heartbreaking performance of a young man who believes he is the legendary lover Don Juan. While most delusional people seem to get their kicks out of bringing others down, Don Juan is able to nurture love and passion in others rekindling enthusiasm and excitement in his psychiatrist who is played by Marlon Brando.

12 Monkeys, (1995)

Mistakenly being sent back to the wrong date in time (to 1990 NOT 1996), James Cole (Bruce Willis) is incarcerated in a Baltimore state hospital, where he is diagnosed with delusional paranoia and treated by Dr. Kathryn Railly. Balked in his mission to save humanity, Cole is lucky enough to have been locked up with the main suspect of the film (a very entertainingly insane - or is he?- Brad Pitt) allowing him to save the world while also making friends and falling in love. As only a vehicle for preventing Cole from saving the world, the institute in 12 Monkeys never comes across especially well.

Girl, Interrupted, (2000)

Based on a best selling memoir, Girl, Interrupted follows the story of Susanna Kaysen (Winona Ryder) through her stay at Claymoore Hospital following an overdose of asprin. The film scrutinizes the appropriateness of treatments for all the fascinating and tragic characters, and following the episodic nature of the book allows the audience to understand the fragmented nature of the mind. With amazing performances from Ryder, Angelina Jolie and Whoopi Goldberg amongst many others, Girl, Interrupted is an incredible coming of age story full of passion and emotion.

Session 9, (2001)

When Gordon Fleming (Peter Mulan) ambitiously claims that he can remove all the asbestos from the abandoned Danvers State Hospital in only two weeks, he knows he is setting himself a hard task: With a squabbling team, a new baby and a wife to contend with the job proves even harder than he could have imagined, and when members of his team start going missing Gordon finally snaps. Cut together with taped interviews (Sessions 1 - 9) from a previous patient of the hospital, Session 9 is a slow-burning, chilling horror that couldn't have possibly be set anywhere other than an abandoned mental institution.

Gothika, (2003)

Turning the genre on its head, Gothika sees Dr. Miranda Gray (Halle Berry) being institutionalized into the very hospital that she was working at when she becomes the main suspect in her husband's murder. Gothika makes full use of all the horror conventions that we would expect from horror movies with plenty of atmospheric darkness, blood splattering all over the place that are all drawn together with a scary soundtrack and lots of screaming. Fundamentally undermining the mental hospital that she worked for by proving that at least two of their inmates are perfectly sane, Dr. Miranda also uncovers a serial rapist who roams the hall at night, making this possibly one of the scariest hospitals of the lot.

Last revamped by weird and wonderful Tim Burton in 2001, it was met with mixed reviews although financially it was a huge success.  Don't worry, apparently we will be spared the talking monkeys who end up taking over Earth; instead the film will be a sci-fi flick based on the science used by humans to create super clever chimps.

Rupert Wyatt made his directorial debut back in 2008 with his well received crime thriller, The Escapist, winner of the British Independent Film Award for Best Achievement in Production. But with all due respect, we're not sure that nine years is enough time to get over the last one, let one whether we need another one.

Also if there's anyone out there listening, please don't go making this one 3D.

Talking to the LA Times about Superman, he said: "It's very exciting, we have a fantastic story. And we feel we can do it right. We know the milieu, if you will, we know the genre and how to get it done right…[it] is a way of approaching the story I've never seen before that makes it incredibly exciting."

Superman is undoubtedly the most recognisable superhero of all and has become an icon in American culture; his adventures and popularity establishing the character as an inspiration to many across the globe, none more so than the comic book fans who trek across states and countries to attend the convention.

They will be very pleased and excited that Nolan is involved in the reboot, especially as he plans to approach it "in a not dissimilar way [to the Batman films] in terms of trying to find an incredible story in a way that audiences can engage with it the way they engage with contemporary action films."

He remained elusive on the small question of who will be Superman; maybe he could bring back the nineties favourites from Superman and Lois, Dean Cain and Terri Hatcher. Ok maybe not.

Alas, Nolan isn't actually down to direct Superman, but his involvement is exciting news.   He will of course return as director for Batman 3, to give fans an ending.

He said: "I'm very excited about the end of the film, the conclusion, and what we've done with the characters,"

But it seems that the finale is proving difficult.  Jonathan Nolan, the director's brother is penning the script and according to Chris Nolan is "struggling to put it together into the epic story that you want it to be."

But fear not, the man behind the scripts of The Dark Knight and The Prestige is unlikely to disappoint.

> Blog: Eclipse teases Twilight fans

Working with Trainspotting scribe John Hodge, they are believed to be basing their screenplay on Le Morte d'Arthur, Thomas Mallory's 15th century collection of tales on the legendary figure.

Mallory's compilation of stories includes Arthur's birth and death, his knight Lancelot, Guinevere and Lancelot's affair, the quest for the Holy Grail, and the breaking of the Round Table.  It'll be a tough quest to fit all of this into one film, which may mean the start of a Ritchie trilogy.

There have already been a number of movies dedicated to the King - a meagre 751 in fact - but after seeing a James Bond-esque version of Arthur Conan Doyle's Sherlock Holmes, we're expecting King Arthur and his knights to be given the same Guy Ritchie treatment.

In related news, Jude Law revealed that Robert Downey Jnr and himself are interested in reprising their Holmes and Watson roles and could be filming later this year.  Guy Ritchie must be loving this post-Madonna Hollywood epic success, let's just hope he doesn't get Swept Away by it all.

This week the BEV festival continues to showcase a variety of films directed by women plus a host of thrilling entertainment. This is not a festival just for feminists and fans of art films, this is a festival for everyone who loves film.

With a range of movies such as Drew Barrymore's debut Whip It to the superb winner of the Cannes Special Jury Award, Father of My Children, Birds Eye View isn't about feminism or elitism, they're about celebrating great films made by women in an industry where women find themselves hugely outnumbered by men.

Here's the trailer for the festival and check out Birds Eye View's Festival Calendar to see what's on.

While both The Hurt Locker and Avatar were nominated for nine awards each it was Kathryn Bigelow's the Hurt Locker that came out on top with six wins while Avatar took three.

While Avatar made history with its record breaking ticket sales, Bigelow has broken another record by becoming the first woman ever to win the directing award. The Hurt Locker is also the lowest grossing film to win the best picture Oscar.

Britain's Best Acting nominees Colin Firth, Dame Helen Mirren and Carey Mulligan lost out to Best Actors Jeff Bridges for Crazy Heart and Sandra Bullock for her role in The Blind Side.

Sandra Bullock also made history by becoming the first person to ever win an Oscar and a Razzie - which she also accepted on the weekend for her role in All About Steve.

The supporting actor awards went to Christophe Waltz and Mo'nique for Precious which also won the writing award for best adapted screenplay.

> Picture Gallery: Oscar Winners 2010

> Oscar Predictions 2010

FULL LIST OF WINNERS

Best Actor in a Supporting Role: Christoph Waltz
(Inglourious Basterds)

Best Animated Feature Film: Up
(Directed by Pete Docter)

Best Original Song: "The Weary Kind (Theme from Crazy Heart)"
Music and Lyric by Ryan Bingham and T Bone Burnett
(Crazy Heart)

Best Original Screenplay: The Hurt Locker
(Mark Boal)

Best Animated Short Film: Logorama
(Directed by Nicolas Schmerkin)

Best Documentary Short: Music by Prudence
(Roger Ross Williams and Elinor Burkett)

Best Live Action Short Film: The New Tenants
(Joachim Back and Tivi Magnusson)

Best Makeup: Star Trek
(Barney Burman, Mindy Hall and Joel Harlow) Best Adapted

Screenplay: Precious: Based on the Novel 'Push' by Sapphire
(Screenplay by Geoffrey Fletcher)

Best Actress in a Supporting Role: Mo'Nique
(Precious: Based on the Novel 'Push' by Sapphire)

Best Art Direction: Avatar
(Rick Carter and Robert Stromberg - Art Direction; Kim Sinclair - Set Decoration)

Best Costume Design:The Young Victoria(Sandy Powell)

Best Sound Editing:The Hurt Locker
(Paul N.J. Ottosson)

Best Sound Mixing: The Hurt Locker
(Paul N.J. Ottosson and Ray Beckett)

Best Cinematography: Avatar
(Mauro Fiore)

Best Original Score: Up
(Michael Giacchino)

Best Visual Effects: Avatar
(Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones)

Best Documentary Feature: The Cove
(Louie Psihoyos and Fisher Stevens)

Best Film Editing: The Hurt Locker
(Bob Murawski and Chris Innis)

Best Foreign Language Film: The Secret in Their Eyes (El Secreto de Sus Ojos)
Argentina
(Directed by Juan José Campanella)

Best Actor in a Leading Role: Jeff Bridges
(Crazy Heart)

Best Actress in a Leading Role: Sandra Bullock
(The Blind Side)

Best Film Kathryn Bigelow (The Hurt Locker)

This weekend wasn't just about the Oscars; on 7th March, Film24 screened the 2010 Independent Spirit Awards hosted by Eddie Izzard from sunny Los Angeles.

It was a great night for Precious as it took home best feature, Gabourney Sidibe took the best female lead award and Mo'nique struck a double wammy with her Spirit award and Oscar for best supporting female.

We made our predictions and while we were on the money a couple of times, sadly we were way off on others.  For a full list of winners (and our predictions) read on.

If you like your Indie flicks, check out the 1994 film, Sleep With Me on Monday 8th March on Film24, Sky 157 - the film features a cameo from Quentin Tarantino.

Best Feature

Precious

(Film24's prediction: Sin Nombre)

Best Director

Ethan and Joel Coen, A Serious Man

(Film24's prediction: Lee Daniels, Precious)

Best Male Lead

Jeff Bridges, Crazy Heart

(Film24's prediction: Colin Firth, A Single Man)

Best Female Lead

Gabourey Sidibe, Precious

(Film24's prediction: Gabourey Sidibe, Precious)

Best Supporting Male

Woody Harrelson, The Messenger

(Film24's prediction: Christian McKay, Me and Orson Welles)

Best Supporting Female

Mo'Nique, Precious

(Film24's prediction: Mo'Nique, Precious)

Best First Feature

Crazy Heart

(Film24's prediction: A Single Man)

Best Screenplay

Scott Neustadter and Michael H. Weber, (500) Days of Summer

(Film24's prediction: Alessandro Camon and Oren Moverman: The Messenger)

Best First Screenplay

Geoffrey Fletcher, Precious

(Film24's prediction: Tom Ford, A Single Man)

Robert Altman Award

A Serious Man

(Film24's prediction: A Serious Man)

Best Documentary

Anvil! The Story of Anvil

(Film24's prediction: Food Inc)

Best Foreign Film

An Education

(Film24's prediction: A Prophet)

Best Cinematography

A Serious Man

John Cassavetes Award (best feature made for under $500,000)

Humpday

Acura Someone to Watch Award

Kyle Patrick Alvarez, Easier With Practice

The story follows happy drunk playboy Art - surely a cinch for Brand - who is set to inherit a fortune from his wealthy parents if he marries Susan, a woman he does not love.  His marriage to Susan is arranged, but of course, he meets a working class woman who he falls head over heels in love with, which jeopardises his arrangement with his family and therefore his inheritance.

Director of US show Modern Family, Jason Winer, has signed on to direct Brand in the role which originally won 2 Oscars.  No word on who will play Arthur's love interest, originally played by Liza Minelli, however seeing as Katy Perry is moving into the acting world, maybe Brand will sideline her for a role.

Arthur 2 has a lot to live up to, especially with Brand in the title role; a role that Adam Sandler would probably have been more suited to, however only time will tell if he can catch the essence of Moore's character with more depth than his portrayal of Forgetting Sarah Marshall's Aldous Snow.

This year it looks like British film is in a ruder, riskier and more dangerous mood. A bunch of home-grown movies are about to attract a few spluttering, outraged headlines, often, as is the case, before anyone's seen them. Religion, suicide bombers, underage violence - just a few of the taboos about to be covered... all rather exciting really.

So which ones are going to attract the fuss and which genuinely deserve to?

A comedy about five clueless British suicide bombers preparing for a high profile attack... yup, that should set pulses racing down at the Daily Mail. We reckon this is in safer hands than you might think though. Especially the comedy.  It's the directing debut of the brilliant Chris Morris, the creative force behind the acidic TV news satire Brass Eye and The Day Today. He describes it as exposing the "Dad's Army side of terrorism" and with sightings of 'suicide bomber crows' and jihadists dressed as the Honey Monster and a Ninja Turtle this promises to be gruesomely funny. Morris also claims to have spent three years researching the subject and talking to all sides, from secret police to imams, so there's every chance that he could find something a bit more heartfelt and insightful between the set piece gags.

Prediction media outrage: 8/10

Predicted tabloid headline: "Taliban this filth."

David Baddiel this time wades into the choppy waters of religious tolerance with a screenplay that, on paper at least, looks set to annoy. Omid Djalili is an East London minicab company owner and 'relaxed' Muslim... well until he discovers he was adopted as a child and is in fact Jewish. It's a neat premise that opens up a chance for a lively, comedy discussion on what it means to be Jewish. Baddiel, best known for laddish footie banter with "Fantasy Football League" will be keeping it as light as possible, aiming squarely at the jokey stereotypes of his own faith. The 'Jewish training' will certainly involving dancing like Topol from Fiddler on the Roof and learning to love matzha ball soup. Baddiel says he made the film because he's "a fan of life-swap comedy", and he loves Djalili and his "big funny face." - so funny in fact it might be hard to take too much offence.

Predicted media outrage: 4/10

Predicted tabloid headline: "Putting the fun into fundamentalism."

Not strictly a British film, but it is by Matthew Vaughan whose emerging as one of the best Brit directors working today. He has only two previous behind the camera credits - Stardust and Layer Cake, with his latest movie, in terms of the eye-watering violence at least, much more in line with the later. And this is why certain groups acting as self-appointed guardians of moral decency are starting to froth at the corner of their mouths. The plot essentially follows a kid ( Aaron Johnson ) who tries to become a superhero without having any particular special power - just a rubbishy green costume and ability to withstand a lot of pain. Now enter another disguised vigilante, Hit-Girl played by Chloe Moritz who was only 12 at the time of filming... and quite an entrance it is as she turns on some bad guys with the words "OK you c***s, let's see what you can do know!"

A spokesman for the Australian Family Association, who'd reluctantly dragged themselves down to an early screening to be offended, described the movie as having "inappropriate" values. Possibly, but it also has all the style, snap and cult grooviness to make it one of the finest comic book adaptation of the year.

Predicted media outrage: 6/10

Predicted tabloid headline: "Kick-Ass kicks ass."

Gemma Arterton came to a sticky end, covered in crude oil on a bed, in The Quantum of Solace. Now she spends much of this film tied to one as a kidnap victim. Her abductors are played by Eddie Marsan and Martin Compson... and that's it. A great cast, but the fact that there's only three of them points to a micro budget in operation - which is why this might be trying to whip up some attention for itself. From the sneak early clips this looks like the grim, brutal kidnapping of a defenceless girl. The kind of claustrophobic, torturous, Saw territory we're all getting a bit sick of. But don't be too fooled... J Blakeson's feature debut has earned a few rave reviews in Toronto, and cryptic mentions of the "balance of power" that suggest the film is a lot smarter and less exploitative than it might make out. There's a good chance this is going to be terrific, although it's a little too low key to rustle up a media storm.

Predicted media outrage: 4/10

Predicted tabloid headline: "Bond girl is bound on bed."

There's already a very slight whiff of controversy about this one, the same kind that surrounded the 1996 memoirs of the same name. The Mr. Nice here is Howard Marks, a colourful drug dealer who  quickly went from personal use to become biggest dope dealer in the world. As he says in the trailer - "A dealer is really someone who buys more dope than he can smoke." A lot more as it happened - at the height of his powers he was shifting 30 tonnes of marajuina in a single run. Eventually the coppers caught up with him and he spent 7 years in a U.S. jail for his troubles. Marks is still pretty unrepentant, and for some people that doesn't make him very nice.  Add that to a trailer that on first viewing makes the life the lead look a complete hoot -  women, money, rolling around with women on pile of money... all too glamorous for some sections of the media perhaps. But look a little closer and it's clear the film will cover how Mark's exploits damaged his family and marriage. The real scoop here is perhaps that fellow Welshman Rhys Ifans has finally been given a decent role.

Predicted media outrage: 3/10

Predicted tabloid headline: "Ifans wins fans."

In this story Alice is played by the mother, who falls asleep while reading the the bedtime story to her daughter. Walking through the Looking Glass, Alice finds herself in Chessland, a magical and fun world. There she meets the Red and White Queens, as well as many other amusing friends on her journey across the chessboard countryside.

Alice Through The Looking Glass is showing on Film24, Sky 157 on Saturday 6th March 2009.

The new version of Alice in Wonderland directed by Tim Burton is out in cinemas now.

Watch the very first ever version of Alice in Wonderland from 1903.

Made just 37 years after Lewis Carroll wrote his novel and eight years after the birth of cinema, the adaptation was directed by Cecil Hepworth and Percy Stow, and was based on Sir John Tenniel's original illustrations.

Similarly to Tim Burton Hepworth cast his wife as the Red Queen, and he himself appears as the Frog Footman. Even the Cheshire cat is played by a family pet.

With a running time of just 12 minutes (8 of which survive), Alice in Wonderland was the longest film produced in England at that time.

Film archivists have been able to restore the film's original colours for the first time in over 100 years.

To find out more about the film visit BFI Screen Online

Related Links

> Review: Alice in Wonderland 2010

> Blog: Alice in Wonderland stars look a far cry from their characters at premiere

> News: Odeon retreats into its rabbit hole

Katy Perry will be making her movie debut alongside Alan Cumming, Jonathan Winters and George Lopez, who have all signed up to lend their voices to the smurfs.

Playing the live action lead in Sony's live action/CGI animated flick is American TV and Broadway star Neil Patrick Harris.

Jonathan Winters will voice Papa Smurf; Alan Cumming will take on Gutsy Smurf, while George Lopez will be heard as Grouchy Smurf.

Winters is already familiar to the role having voiced several of the characters back in the 80's in the Hanna-Barbara cartoon series.

Popstar Katy Perry will make her movie debut; we suspect to voice the only female Smurf in the clan, Smurfette.

No details about Harris' real life character yet but seeing as the role of the sorcerer villain and Smurf-hater Gargamel is going begging, maybe it will be him.

The Smurfs were created by Pierre Culliford in 1958, leading to multiple print and screen adaptations worldwide.

Director Raja Gosnell must have a penchant for cartoon-movie adaptations, having previously brought us both Scooby-Doo movies.

Filming is due to start next month and is set for a summer release next year.

Undoubtedly, the week's big release is Stephanie Meyer's second instalment in her Twilight saga, New Moon.  Human heroine Bella (Kristin Stewart) is shattered and distraught after her vampire love Edward (Robert Pattinson) suddenly skips town.  Finding comfort in the shape of Jacob (Taylor Lautner), she learns to be herself again but at the same time, she's deliberately placing herself in dangerous situations.  Her thrill seeking adventures escalate into a real danger for Edward, culminating in a meeting with dangerous vampire clan, the Volturi.  Vampires vs. werewolves, Edward vs. Jacob, which team are you?  Film24 swayed back and forth... and back and forth again.  Maybe we can just be Team Edwob.

If vampires and werewolves leave you wanting more of the supernatural fodder don't fret because Zombieland is here.  Shaun of The Dead successfully paved the way for zom-coms and this one joins the zombie comedy bandwagon.  Starring Woody Harrelson, Jesse Eisenberg, Emma Stone and Abigail Breslin, as humans who have survived the zombie apocalypse, they must  they try to find a safe haven free from zombies.  Sort of a road trip movie with not as many zombies as you would think but don't expect to be terrified; this is a likeable silly comedy, not a horror film.

Supernatural goes even further this week with the release of The Fourth Kind, a fact based movie about the strange goings on in Nome, Alaska.  Based on the concept that makes you think what you are watching is real; interviews with abductees and strange goings-on videoed from police camera's, it's interspersed with a definite script.  Director Olatunde Osunsanmi relies on the perception of the audience to make this film work as a frightening movie however we never actually see aliens or anyone abducted.

For a real scare bring Paranormal Activity back home.  Most recently causing a stir in Italian cinemas, with no age restrictions, Italian children as young as 7 suffered panic attacks after seeing the film.  Rated 15 in the UK, it's definitely not for 7 year old children. Director Oren Peli filmed the fictional movie on a video camera in his own house for the lowly budget of £9,000.  The movie revolves around young couple, Katie and Micah, who are haunted by a presence in their home which becomes increasingly disturbing while they are sleeping, or rather, trying to sleep.  Watch this alone at your peril and be prepared to sleep with the lights on for a while.

Michael Caine returns in a starring role in British crime thriller, Harry Brown.  Harry is a widowed Northern Ireland ex-marine living alone on a grim housing estate in Elephant and Castle; one that's quickly plummeting into one full of hoodie wearing thugs fighting and selling drugs in the street.  When his friend is murdered, Harry is forced to return to his marine roots to seek revenge.  Caine is outstanding, as always, and Harry Brown portrays with great effect the solitary loneliness that many of the elderly in this country suffer from today.

Definitely a week for the supernatural but underneath the vampires and werewolves, there's friendship and romance; beneath the zombie's there's a lot of laughs; the scary thrillers provide a means to stay up all night; and beneath the hellish London, there's a story with a deep resonance to life in this country today.  A great pick 'n' mix of films to feast your eyes on; whatever genre takes your fancy.

Fans may be sceptical of his statement seeing as the last instalment, Indiana Jones and The Kingdom of the Crystal Skull, didn't go down to well with critics or die-hard fans when it was released in May 2008 despite being the biggest of the franchise at the box office.

Seeing as Spielberg has a number of projects to get through before he can get started (including the screen adaptation of Tintin), Harrison Ford, currently 67 years old, will reach the grand age of 70 by the time this comes around.

No mention yet of whether Shia LeBeouf, who starred in Indy 4 as Ford's son, will be reprising his role but he almost certainly won't be taking the helm of the franchise and wearing the hat just yet.

Shooting begins later this month on the romantic comedy which also stars Jason Segel and Lucy Punch.

The plot follows the misadventures of a social-climbing junior high instructor (Diaz) who, after being dumped by her sugar daddy, sets out to seduce a substitute teacher (Timberlake).

> Blog: We don't think it's JT's acting ability that nabbed him this role...

Comedy lovers have long anticipated a sequel about the adventures of the "really, really, ridiculously good looking" but dim-witted fashion icon and after a long wait; they've got what they wanted.

Alongside Tropic Thunder writer, Justin Theroux, Stiller is working on a script 10 years after the events of the first movie with Derek and Hansel trying to make a modelling comeback.

Implying that Owen Wilson will return as Hansel and no doubt wife, Christine Taylor will return as well, Stiller added that if Will Ferrell agrees to return as villain Mugatu, then they'd love to have him on board.

Stiller, Wilson and Ferrell back together again?  Sounds like comedy gold to us.

In fact, it's doing so well at the top of the charts that it's also attracting the eye of movie bigwigs.  New Line Cinema, the studio behind the Lord of The Rings trilogy, have bought the rights with a view to adapting it into a film.  With four lead characters (a father, a photographer, a FBI agent and a retired cop turned private detective) they must each take different roads to end the terror inflicted on their city by the Origami Killer.

Playstation 3 gamers, however, had a shock when they woke up this morning to an error message on their beloved consoles, meaning that they were unable to connect to other gamers online, with some also experiencing offline difficulties.  The 'error: 8001050f' message is thought to be related to the calendar resetting on February 28 to January 1, 2000.  Sony has since declared that this bug has now been fixed.

In the elegant but decayed Pavilion cinema (soon to be converted into a 4 * hotel), lovers embraced in darkened corners, leather clad bohemians passionately debated, a live band performed sultry music, trapeze artists performed and wary policemen patrolled.. And despite the inevitable drizzle, bratwurst was served on the roof.

Secret Cinema provided the perfect industrial backdrop for Win Wender's mesmerising and inspirational tale of the angels who watch over a war-scarred and divided Berlin. Visually stunning and with a beautifully spiritual and dreamlike script, Wings of Desire follows the angels as they float across the city and observe its inhabitants inner thoughts and feelings.

Starring Peter Falk as at once himself, Columbo and a fallen angel this award-winning post-modern film is less a straight-forward narrative and more a sensory experience, combining visually stunning aesthetics with emotive music and poetic dialogue.

Wings of Desire could have been designed for Secret Cinema. It perfectly embodies the mantra that the event is for all those that love challenging, pioneering and stimulating cinema. Whether a new or dedicated fan of the event or watching this masterpiece for the first time or tenth time, every member of the audience enjoyed a unique experience of an incredible work of art.

As Marion's final trapeze act closed the film, a rope artist neatly synced with the onscreen action, casting graceful shadows onto the peeling ceiling. Win Wender's Angels can only see the world in monochrome: watching Wings of Desire within the Secret Cinema community and against the backdrop of the Pavilion's decaying beauty, cast this glorious film into brilliant technicolour.

Make sure you don't miss out on the next Secret Cinema event - join the Facebook group for all the secrets and clues.